Long Time Dead (2002, horror)
December 26, 2007 by Сале
With: Joe Absolom, Lara Belmont, Melanie Gutteridge, Lukas Haas, James Hillier, Alec Newman, Mel Raido, Marsha Thomason, Tom Bell, Michael Feast, Cyril Nri, Nicolas Chagrin, Tameka Empson, Peter Gevisser, Derek Lea, Joel Pitts, Pete Valente.
A pesky Moroccan djinn starts taking out a group of students who roused it via a Ouija board in “Long Time Dead,” a shake ‘n’ bake British youth-horror pic that’s pure multiplex fare. Tight pacing, a down-to-the-bone storyline and a highly worked soundtrack ensure a decent number of thrills and chills, signaling a fast clean-up among undemanding auds prior to a healthy reincarnation on video.
Shot in London back in the summer of 2000, film is the second production — following “Billy Elliot” — from Working Title’s subsidiary banner, WT², whose goal is to make “low-budget films that people want to go and see.” With a grungier look than most U.S. genre models, it’s still a fairly slick piece of work, without overdosing on digital effects for their own sake. And in tempo and atmosphere it’s a major step-up from similar British genre movies of the ’70s. First time feature helmer Marcus Adams began in music promos and commercials.

Intro, set underground in Morocco, 1979, sketches a satanic ritual that ends in grisly death and destruction. In present-day London, a bunch of students go to a warehouse party, get mildly loaded and, for a laugh, dabble with a Ouija board in a back room. When the glass goes wild and spells out “die,” the body count starts with the spectacular death through a skylight of Annie (Melanie Gutteridge), g.f. of Liam (Alec Newman), who’s troubled by Moroccan flashbacks.
Lucy (Marsha Thomason), who happens to be into the occult, reckons they’ve accidentally summoned a djinn. Said Arabian fire demon can only become free when whoever summoned it is dead — which bodes ill for the longtime health prospects of the entire group.
For safety, Lucy stays that night with the rest of the group in their shared house. When a fuse blows in the basement, Yank computer nerd Webster (Lukas Haas) and Lucy’s b.f., Spence (James Hillier), discover a collection of occult clippings and a dossier on the Morocco disaster in the room of their weird landlord, Becker (Tom Bell).
Meanwhile, Liam, whose father is still in stir for the Morocco massacre despite claiming it was the work of a demon, is starting to look badly bent out of shape. And then — in the movie’s most effective sequence — another in the group, Stella (Lara Belmont), is bloodily battered to death in a toilet stall. Becker tells them he can help by performing a “banishing,” to send the naughty djinn back whence it came.
The largely no-name but solidly experienced young cast performs well together, with Tomason, Haas and Newman making the greatest impression. The alternately creepy-crawly/crashing score by Don Davis, a past master at that this kind of thing (”The Matrix,” “Jurassic Park III”), and the busy sound effects track both help keep the mind diverted from the hokey plot, and lensing by Nic Morris gives the whole thing a gritty London flavor.
More than one option
(Co) Working Title Films
(Co) Working Title Television
More than one option
(Person) Andrew J Day
(Person) Andy Day
Screenplay
(Person) Andy Day
(Person) Andy Day
Production Assistant
More than one option
(Person) Chris Baker
Sound, Director, Actor
(Person) Chris Baker
Song
(Person) Chris Baker
Screenplay
(Person) Chris Baker
Rigging Electrician
(Person) Chris Baker
Editing, Visual Effects Editor
(Person) Chris Baker
Catering
More than one option
(Person) Tom Bell
Song, Actor, Camera Assistant
(Person) Tom Bell
More than one option
(Film) The Matrix
(Person) The Matrix
More than one option
(Person) Don Davis
Generator Operator, Gaffer, Key Grip
(Person) Don S Davis
(Person) Don Davis
Composer, Music, Music Arranger
(Person) Don Davis
Assistant Camera, Assistant Camera Operator, Camera
(Person) Don Davis
Actor
Camera (Technicolor prints), Nic Morris; editor, Lucia Zucchetti; additional editor, Niven Howie; music, Don Davis; production designer, Alison Riva; art director, Jane Tomblin; costume designer, Pamela Blundell; sound (Dolby), Simon Okin, Sandy Macrae, Tim Alban; stunt coordinator, Tom Delmar; special effects, Any Effects; prosthetic make-up, Carter White FX; visual effects supervisor, Ed Hawkins; digital visual effects, the Moving Picture Co.; assistant director, Max Keene; casting, Andy Pryor. Reviewed at Mr. Young’s preview theater, London, Dec. 13, 2001. MPAA Rating: R. Running time: 91 MIN.
Variety is striving to present the most thorough review database. To report inaccuracies in review credits, please click here. We do not currently list below-the-line credits, although we hope to include them in the future. Please note we may not respond to every suggestion. Your assistance is appreciated.
A group of British students enbark on summoning spirits on a Ouija board after a night of clubbing. But someone breaks the link before they have finished and now a demon is trapped in their world and the only way to banish it, is for all the people who summoned it to die. Written by Pete, England
A group of British college students who are close friends embark on a night of intense partying including alcohol and drugs, and while under the influence, intent on a bit of fun, try to establish a link with the spirit world using a homemade Ouija board. However, fun is the last thing on their minds when the Ouija board spells out the words “All Die”, and they give up on the board before closing the link to the spirit world and, unknown to them, unleash something evil into their world, and it isn’t long before one of them is murdered by an unseen force. Soon they all find themselves terrified for their lives, as the spirit they have let out begins to kill them off, one by one.


